Notalar

Orijinal

Sancta Maria non est tibi similis. Anonymous. A cappella. Sacred , Antiphon. Language. Latin. ATT.

Tercüme

Sancta Maria non est tibi similis. Anonim. A capella. Kutsal, Antiphon. Dil. Latin. ATT.

Orijinal

Transcribed from the Trent manuscripts tr87 and tr92. The time signatures, notes' values accidentals and colourings are as in the manuscript. The initial time signature is missing in all the voices, the “tempus perfectum diminutum” has been assumed from the context and the perfect breves, the perfect brevis rests and the imperfect longæ are dotted. In the second part the Tenor’s notes values are halved so that the time signature of the Superius and the Contratenor should be the “tempus imperfectum diminutum”. The coloured notes are either hemiolæ or in “proportio sesquialtera”. 3 vs. The notes' values within the "ligaturæ" are as follows. the left upstemmed notes are semibreves - the unstemmed notes are breves - the right downstemmed notes are longæ. The “musica ficta” suggestions are in the MIDI and the MusicXML files.

Tercüme

Transcribed from the Trent manuscripts tr87 and tr92. Zaman imzalar, notları 'değerleri arızalar ve renklendirici el yazması gibidir. The initial time signature is missing in all the voices, the “tempus perfectum diminutum” has been assumed from the context and the perfect breves, the perfect brevis rests and the imperfect longæ are dotted. In the second part the Tenor’s notes values are halved so that the time signature of the Superius and the Contratenor should be the “tempus imperfectum diminutum”. renkli notlar "proportio sesquialtera" ya hemiolæ ya vardır. 3 vs. aşağıdaki gibi "ligaturæ" içinde notları 'değerler. Sol upstemmed notlar semibreves vardır - unstemmed notlar Breves vardır - sağ notları longæ vardır downstemmed. "Musica ficta" önerileri MIDI ve MusicXML dosyaları vardır.