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Orijinal

A Call to Celebration.

Tercüme

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Orijinal

A Call to Celebration composed by David R. Holsinger. For concert band. Level 4.5. Score and parts. Duration 2 minutes, 20 seconds. Published by TRN Music Publisher. TU.CBCAL2. Take advantage of this over-stock pricing while supplies last. Commissioned to open the concert of the Phi Mu Alpha Sinfonian National Wind Ensemble at the fraternity’s 2012 National Convention, the composer chose two favorite fraternity songs to highlight in this short fanfare. The first was the SINFONIAN ANTHEM. “All Hail, Sinfonian Brothers”. , an energetic march-like song written in 1908 and the SINFONIAN HYMN. “Let each man take his lot and place”. , penned in 1914 and based on a serene and introspective melody from William Gardner’s “Sacred Melodies” published in 1815. The composer has always been drawn to both these melodies since his introduction to them as a college student member of the fraternity and although they might seem far afield in styles, their unlikely juxtaposition in one short fanfare was just the challenge needed to unite them in this concert opener.

Tercüme

A Call to Celebration composed by David R. Holsinger. Konser bandı için. Level 4.5. Puan ve parçalar. Süre 2 dakika, 20 saniye. TRN Müzik Publisher tarafından yayınlanan. TU.CBCAL2. Bu aşırı stokunun fiyatlandırma yararlanın stoklar bitene. Kardeşlik 2012 Ulusal Kongre Phi Mu Alpha Sinfonian Milli Rüzgar Topluluğu'nun konseri açmak için görevlendirildi, besteci bu kısa tantana vurgulamak için iki favori kardeşlik şarkıları seçti. İlk SINFONIAN marşı oldu. "All Hail, Sinfonian Brothers". 1908 yılında yazılmış bir enerjik mart-gibi şarkı ve SINFONIAN HYMN. "Her insanın yeri ve yer alalım". , 1914 yılında kaleme aldığı ve 1815 yılında yayınlanan William Gardner "Kutsal Melodiler" bir sakin ve içe dönük melodi dayalı. The composer has always been drawn to both these melodies since his introduction to them as a college student member of the fraternity and although they might seem far afield in styles, their unlikely juxtaposition in one short fanfare was just the challenge needed to unite them in this concert opener.