Notalar $16.00

Orijinal

Awatovi. Bassoon sheet music. Clarinet Solo sheet music.

Tercüme

Awatovi. Fagot notalar. Klarnet Solo notalar.

Orijinal

Awatovi composed by Daniel Baldwin. For Clarinet, Bassoon & Piano. Level 5. Published by Imagine Music. IG.CMS126. The Awatovi ruins, located in Arizona, were once a thriving Hopi village, in existence for over 450 years before their first visitors arrived in 1540. first by scouts, and then by the conquistador himself, FranciscoVasquez de Coronado. Awatovi, for over 150 years, enjoyed a fairly peaceful coexistence with the Spaniards afterward, but by 1700, finally came to a clash between traditionalist Hopi and the converted Catholics. The result was that the traditionalists massacred the converts and then destroyed the village. Symbolically, the fall of the village marked the end of Spanish interference in Hopi life. The opening line by the bassoon represents the mixed intentions of those first explorers led by Coronado, and is intended to convey both Spanish and Native American voices. It is also a vision of the future to come, a haunting foreshadowing of the beautiful yet barren ruins to come. The next section is a jump back in time, a representation of Coronado's largely peaceful exploration throughout the southwest United States on his way toAwatovi. While Coronado's exploration was not without conflict, I chose to focus on the peaceful nature of his mission. There are two sections here. both are Spanish-flavored, but the first is representative of the exploration, while the second section is intended to suggest a campfire song reflecting what the journey might have been like at nighttime as they rested, chatted, and sang songs. This leads into movement two. Kiva. The Kiva murals were discovered in theAwatovi ruins. They are paintings representing Hopi tribal rituals and ceremonies. I have used the style of NativeAmerican flute music to portray this. Next is the Bugle Call, or El Deguello, represented and played by the bassoon. The bugle call is notable for its use as Spanish battle music, such as its use during the 19th Century storming of theAlamo. Though not historically accurate, its inclusion is symbolic and reflects the spirit of theAwatovi massacre. The music shifts to represent the actual attack, which is portrayed by a very dissonant and dramatic transitional passage. Finally, Kiva circles back to the opening material in a different key, symbolic of the shift in perception from Spanish conquistador, to Hopi descendant. Awatovi was written at the suggestion my good friend Ric Jones, and was supported by Richard Ramey and a consortium of oboe and bassoon players. Thanks to all of you for your vision and support of this project. The version for oboe, bassoon and piano was premiered at the Oklahoma SummerArts Institute by Elizabeth Knott and RodneyAckmann on June 19, 2012. The clarinet, bassoon, and piano version was premiered at the 2012 IDRS conference at Miami University of Ohio by Robert and Mary Nan Jordan on July 9, 2012.

Tercüme

Awatovi Daniel Baldwin tarafından bestelenen. Klarnet, Fagot. Seviye 5. Music Imagine tarafından yayınlanmıştır. IG.CMS126. Onların ilk ziyaretçileri 1540 yılında gelmeden önce Arizona'da bulunan Awatovi kalıntıları, 450 yıldır varlığını, bir zamanlar gelişen bir Hopi köy vardı. first by scouts, and then by the conquistador himself, FranciscoVasquez de Coronado. Awatovi, 150 yılı aşkın bir süredir, sonra İspanyollar ile oldukça huzurlu bir arada yaşama keyif aldım, ama 1700 ile, nihayet gelenekçi Hopi ve dönüştürülmüş Katolikler arasında bir çatışma geldi. Sonuç gelenekçiler dönüştürür katletti ve sonra köy yok oldu. Sembolik olarak, köyün sonbahar Hopi hayatında İspanyol müdahale sonunu. Fagot tarafından açılış hattı Coronado tarafından yönetilen bu ilk kaşifler karışık niyetlerini temsil, İspanyol ve Kızılderili sesleri hem iletmek için tasarlanmıştır. Ayrıca gelip gelip geleceğe dönük bir vizyon, güzel henüz çorak kalıntıları musallat habercisidir. The next section is a jump back in time, a representation of Coronado's largely peaceful exploration throughout the southwest United States on his way toAwatovi. Coronado keşif çatışma olmadan değil iken, onun misyonunun barışçıl doğasına odaklanmak seçti. Burada iki bölüm vardır. hem İspanyolca-aromalı, ancak ikinci bölüm onlar dinlenmiş sohbet gibi yolculuk gece de böyle olmuş olabilir ne yansıtan bir kamp ateşi şarkı önermek niyetinde iken ilk keşif temsilcisi ve şarkıları seslendirdi. Bu hareketin iki götürür. Kiva. The Kiva murals were discovered in theAwatovi ruins. Onlar Hopi aşiret ritüeller ve törenler temsil eden resimlerdir. I have used the style of NativeAmerican flute music to portray this. Sonraki Bando Çağrı, ya da El Deguello, temsil ve fagot tarafından oynanan. The bugle call is notable for its use as Spanish battle music, such as its use during the 19th Century storming of theAlamo. Though not historically accurate, its inclusion is symbolic and reflects the spirit of theAwatovi massacre. Müziği çok uyumsuz ve dramatik geçiş geçit canlandırmaktadır fiili saldırıyı temsil geçer. Son olarak, geri Hopi torunu İspanyol Fatih gelen algı kayması sembolik farklı bir anahtarla, açılış malzeme Kiva çevreler. Awatovi öneri benim iyi arkadaşım Ric Jones ile yazılmış, ve Richard Ramey'in ve obua ve fagot oyuncuların bir konsorsiyum tarafından desteklenen. Vizyon ve bu projeye destek için hepinize teşekkürler. The version for oboe, bassoon and piano was premiered at the Oklahoma SummerArts Institute by Elizabeth Knott and RodneyAckmann on June 19, 2012. Klarnet, fagot ve piyano versiyonu 9 Temmuz 2012 tarihinde Robert ve Mary Nan Ürdün tarafından Ohio Miami Üniversitesi 2012 IDR'lere konferansta galası yapıldı.