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Orijinal

Fantasias - First Dozen. Georg Philipp Telemann. Piano Method sheet music. Piano Solo sheet music.

Tercüme

Fantasias - First Dozen. Georg Philipp Telemann. Piyano Metodu notalar. Piano Solo notalar.

Orijinal

Fantasias - First Dozen composed by Georg Philipp Telemann. 1681-1767. Edited by R. Jones. For Piano. Easier Piano Pieces. Grades 4-7. Sheet Music. Published by ABRSM. Associated Board of the Royal Schools of Music. PE.9781854722522. ISBN 1-85472-252-2. Telemann composed three dozen Fantasias which were published in 1732. He deliberately set out to juxtapose the French and Italian styles with the first and third dozen having Italian titles and tempo markings and the second dozen French. The editorial aim of these albums has been to present a text that allows as stylish a rendering as possible bearing in mind that the majority of players will be pianists rather than harpsichordists. Marks of dynamics and of articulation have been added and so have harmony notes of inner parts which would have been improvised by the player in an 18th-century performance. "Fantasia in A minor, 1st Dozen, No. 10". "Fantasia in A, 1st Dozen, No. 9". "Fantasia in Bb, First Dozen, No. 11". "Fantasia in D minor, First Dozen, No. 2". "Fantasia in D, First Dozen, No. 1". "Fantasia in E minor, First Dozen, No. 4". "Fantasia in E, First Dozen, No. 3". "Fantasia in Eb, First Dozen, No. 12". "Fantasia in F minor, First Dozen, No. 6". "Fantasia in F, First Dozen, No. 5". "Fantasia in G minor, First Dozen, No. 8". "Fantasia in G, First Dozen, No. 7".

Tercüme

Fantasias - First Dozen composed by Georg Philipp Telemann. 1681-1767. R. Jones tarafından düzenlendi. Piyano için. Kolay Piyano Parçası. Sınıflar 4-7. Müzik Notaları. ABRSM tarafından yayınlanmıştır. Kraliyet Müzik Okulları Associated Kurulu. PE.9781854722522. ISBN 1-85472-252-2. Telemann 1732 yılında yayınlanan, üç düzine Fantasias oluşmaktadır. O kasten İtalyan başlıkları ve tempo işaretlere sahip birinci ve üçüncü düzine ve ikinci düzine Fransız ile Fransız ve İtalyan stilleri juxtapose yola. Bu albümlerin editoryal amacı oyuncuların çoğunluğu piyanistler yerine harpsichordists olacağını akılda rulman mümkün olduğunca şık bir render sağlayan bir metin mevcut olmuştur. Dinamikleri ve eklemlenme Marks eklenir ve böylece 18. yüzyıldan kalma bir performans oyuncu tarafından doğaçlama olurdu iç parçaların uyumu notlar var edilmiştir. "Fantasia in A minor, 1st Dozen, No. 10". "Fantasia in A, 1st Dozen, No. 9". "Fantasia in Bb, First Dozen, No. 11". "Fantasia in D minor, First Dozen, No. 2". "Fantasia in D, First Dozen, No. 1". "Fantasia in E minor, First Dozen, No. 4". "Fantasia in E, First Dozen, No. 3". "Fantasia in Eb, First Dozen, No. 12". "Fantasia in F minor, First Dozen, No. 6". "Fantasia in F, First Dozen, No. 5". "G minor Fantasia, İlk Düzine, No: 8". "Fantasia in G, First Dozen, No. 7".