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Orijinal

I lie and slumber, still and peaceful. Johann Christoph Friedrich Bach. Choir sheet music. Piano and Keyboard sheet music.

Tercüme

I lie and slumber, still and peaceful. Johann Christoph Friedrich Bach. Koro notalar. Piyano ve Klavye notalar.

Orijinal

I lie and slumber, still and peaceful composed by Johann Christoph Friedrich Bach. 1732-1795. Edited by Klaus Hofmann. Arranged by Johann Horn. For SATB choir,. basso continuo. This edition. Paperbound. Stuttgart Urtext Edition. German title. Ich lieg und schlafe. Sacred, Motets, Psalms, German. Stuttgart Urtext editions. Occasions. Morning, Midday, Evening, Mourning, Death. Use during church year. Holy Week. Full score. Language. German. English. BR JCFB H 100. 40 pages. Duration 15 minutes. Published by Carus Verlag. CA.3410100. ISBN M-007-05187-7. With Language. German. English. Sacred, Motets, Psalms, German. Stuttgart Urtext editions. Occasions. Morning, Midday, Evening, Mourning, Death. Use during church year. Holy Week. The autograph contains no reference to accompaniment by instruments, and a purely vocal performance of the work would doubtless be completely appropriate. On the other hand, nothing speaks against instrumental support of the voices, as it is known from the performance practice of Johann Sebastian Bach.

Tercüme

I lie and slumber, still and peaceful composed by Johann Christoph Friedrich Bach. 1732-1795. Klaus Hofmann tarafından düzenlendi. Johann Horn tarafından düzenlenen. SATB koro için,. basso continuo. Bu baskı. Paperbound. Stuttgart Urtext Sürümü. Alman başlığı. Ich lieg und schlafe. Kutsal, motets, Zebur, Alman. Stuttgart Urtext sürümleri. Durumlar. Sabah, Öğle, Akşam, Yas, Ölüm. Kilise yıl boyunca kullanın. Paskalya öncesi hafta. Tam puan. Dil. Almanca. İngilizce. BR JCFB H 100. 40 sayfa. Süresi 15 dakika. Carus Verlag tarafından yayınlanmıştır. CA.3410100. ISBN M-007-05187-7. Dil ile. Almanca. İngilizce. Kutsal, motets, Zebur, Alman. Stuttgart Urtext sürümleri. Durumlar. Sabah, Öğle, Akşam, Yas, Ölüm. Kilise yıl boyunca kullanın. Paskalya öncesi hafta. The autograph contains no reference to accompaniment by instruments, and a purely vocal performance of the work would doubtless be completely appropriate. On the other hand, nothing speaks against instrumental support of the voices, as it is known from the performance practice of Johann Sebastian Bach.