Notalar $28.39

Orijinal

Trois Axes. Alto Saxophone sheet music. Advanced.

Tercüme

Trois Axes. Alto Saksafon notalar. Ileri.

Orijinal

Trois Axes composed by Philippe Racine. For 3 alto saxophones. Swiss Composers Series. Contemporary. Advanced. Score and parts. Composed 2006. Duration 4 minutes 50 seconds. Published by Editions BIM. ET.SAX16. Three axes for three saxes, the title is programmatic. The first saxophone turns around his axis in quintuplets. and "tentuplets". disguised as sextuplets. The second one does it with triplets disguised as quintuplets and the third one with triplets as sixteenth notes. Each instrument plays very strictly in his own tempo. The performer should make no mistake about it. the word game of the title can't hide the great difficulty of the piece. The first performance occurred on January 28, during the "2007 Days of the Saxophone" at the Lausanne Conservatory. Switzerland. The piece was played twice by two different ensembles. Fabien Girard, Pietro Soldini and Sébastien Schiesser from the Hochschule der Kunste Zurich and Patrick Stadler, Markus Treier and Christoph Maass from the Hochschule fur Musik Basel.

Tercüme

Trois Axes composed by Philippe Racine. 3 alto saksafon için. Swiss Besteciler Serisi. Çağdaş. Ileri. Puan ve parçalar. 2006 Kompoze. Süre 4 dakika 50 saniye. Editions BIM tarafından yayınlanmıştır. ET.SAX16. Three axes for three saxes, the title is programmatic. The first saxophone turns around his axis in quintuplets. and "tentuplets". disguised as sextuplets. The second one does it with triplets disguised as quintuplets and the third one with triplets as sixteenth notes. Each instrument plays very strictly in his own tempo. The performer should make no mistake about it. the word game of the title can't hide the great difficulty of the piece. The first performance occurred on January 28, during the "2007 Days of the Saxophone" at the Lausanne Conservatory. İsviçre. The piece was played twice by two different ensembles. Fabien Girard, Pietro Soldini and Sébastien Schiesser from the Hochschule der Kunste Zurich and Patrick Stadler, Markus Treier and Christoph Maass from the Hochschule fur Musik Basel.