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A Purple Summer. Steven Sater.

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Bir Mor Yaz. Steven Sater.

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A Purple Summer. Notes on the Lyrics of Spring Awakening. Applause Books. Softcover. 87 pages. Published by Applause Books. HL.314920. ISBN 1557838240. 5x7 inches. In February 1999, Steven Sater conceived the radical notion of creating a rock musical from Frank Wedekind's notorious Symbolist drama, Frühlings Erwachen , and he enlisted his friend and writing partner Duncan Sheik in the enterprise. That night, Sater came home and began writing the first lyric of Spring Awakening. “Mama Who Bore Me” – a lyric which still stands, verbatim, just as he first wrote it. Ten years later, in the wake of the enormous international success of this groundbreaking, multiaward-winning show, its original director, Michael Mayer, urged Sater to write notes explicating its famously evocative, poetic lyrics. In rich detail, Sater's notes address the literary sources and allusions of each lyric. He also writes feelingly of what prompted the songs over the course of the show's eight years of development. In so doing, Sater expands on his partnership with Sheik and his experiences with original cast members, Lea Michele and Jonathan Groff, now also known from Glee. These notes will prove invaluable for fans of the show, for all those interested in theater, and most especially for all the young performers who will play the roles and sing these songs. I Believe. Left Behind. All That's Known. And Then There Were None. The Bitch Of Living. The Dark I Know Well. Don't Do Sadness. Blue Wind. The Guilty Ones. Mama Who Bore Me. The Mirror-Blue Night. My Junk. The Song Of Purple Summer. Those You've Known. Totally Fucked. Touch Me. Whispering. The Word Of Your Body.

Tercüme

Bir Mor Yaz. Notes on the Lyrics of Spring Awakening. Alkış Kitaplar. Softcover. 87 sayfa. Alkışlar Books tarafından yayımlandı. HL.314920. ISBN 1557838240. 5x7 inç. In February 1999, Steven Sater conceived the radical notion of creating a rock musical from Frank Wedekind's notorious Symbolist drama, Frühlings Erwachen , and he enlisted his friend and writing partner Duncan Sheik in the enterprise. That night, Sater came home and began writing the first lyric of Spring Awakening. “Mama Who Bore Me” – a lyric which still stands, verbatim, just as he first wrote it. Ten years later, in the wake of the enormous international success of this groundbreaking, multiaward-winning show, its original director, Michael Mayer, urged Sater to write notes explicating its famously evocative, poetic lyrics. In rich detail, Sater's notes address the literary sources and allusions of each lyric. He also writes feelingly of what prompted the songs over the course of the show's eight years of development. In so doing, Sater expands on his partnership with Sheik and his experiences with original cast members, Lea Michele and Jonathan Groff, now also known from Glee. These notes will prove invaluable for fans of the show, for all those interested in theater, and most especially for all the young performers who will play the roles and sing these songs. I Believe. Kalan. All That bilinen bulunuyor. And Then There Were None. Living Kaltak. Karanlık I know Well. Hüzün Yapmayın. Blue Wind. Suçlu Ones. Beni Çap Mama. Ayna-Blue Night. Benim Önemsiz. Mor Of Summer Şarkı. Sen Known olanlar. Tamamen Fucked. Touch Me. Fısıldayan. Your Body Of Kelime.