Notalar $44.12
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Peter Maxwell Davies. Job. Study Score. Sheet Music. Soprano, Mezzo-Soprano, Tenor, Baritone, SATB, Orchestra. SOP. TEN. BARITONE. SATB. ORCH. Peter Maxwell Davies.
Tercüme
Peter Maxwell Davies. Iş. Çalışma Skor. Müzik Notaları. Soprano, Mezzo-Soprano, Tenor, Baritone, SATB, Orchestra. SOP. TEN. Bariton. SATB. ORCH. Peter Maxwell Davies.
Orijinal
If ordering more than 10 copies, please call us on 44. 1284 725725 to check availability. This work was commissioned by the University of British Columbia through the gift of David Lemon. It was first performed on 11th May 1997 at the Chan Center, University of British Columbia, Vancouver, Canada, by Valdine Anderson. soprano. , Linda Maguire. mezzo soprano. , Paul Moore. tenor. and Kevin McMillan. baritone. , with the Vancouver Bach Choir and the CBC Vancouver Orchestra, conducted by the composer. Like Vaughan Williams in his Job. A Masque for Dancing, Davies was inspired in part by William Blake's 21 engravings for the Book of Job. His oratorio, however, is less dependent on finding parallels for Blake's visual details, given the direct poetry in David Lemon's adaptation of the Stephen Mitchell translation from the biblical original, it is hardly surprising that the spotlight should be so much on Job's suffering litany. The baritone has the lion's share of the setting, though the other soloists occasionally reinforce his plea and chorale-like episodes universalize his predicament. Davies frames with work with two seminal plainsong-like passages. there is also plenty of dramatic contrast both within Job's monologues and in the vivid orchestral writing for the smarmy Comforters, the initially shrill God who finally appears out of a dazzling orchestral whirlwind and the animal life he uses to illustrate the wonders of creation to a humbled Job..
Tercüme
10'dan fazla kopya sipariş varsa, 44 numaralı telefondan bizi arayın lütfen. 1284 725725 durumunu kontrol etmek. This work was commissioned by the University of British Columbia through the gift of David Lemon. It was first performed on 11th May 1997 at the Chan Center, University of British Columbia, Vancouver, Canada, by Valdine Anderson. soprano. Linda Maguire. mezzosoprano. Paul Moore. tenor. ve Kevin McMillan. bariton. , with the Vancouver Bach Choir and the CBC Vancouver Orchestra, conducted by the composer. Onun İşi Vaughan Williams gibi. A Masque for Dancing, Davies was inspired in part by William Blake's 21 engravings for the Book of Job. His oratorio, however, is less dependent on finding parallels for Blake's visual details, given the direct poetry in David Lemon's adaptation of the Stephen Mitchell translation from the biblical original, it is hardly surprising that the spotlight should be so much on Job's suffering litany. Diğer solist bazen onun savunma ve koral-benzeri bölüm onun çıkmaz yaygınlaştırmak güçlendirmek olsa bariton, ayar aslan payına sahip. Davies, iki seminal plainsong gibi pasajlar ile iş ile çerçeveler. dramatik kontrast bol Eyüp'ün monologlar içinde ve yalaka Nevresim için canlı orkestra yazılı hem de orada, nihayet bir göz kamaştırıcı orkestra kasırga ve o boyunları bükük için yaratılış mucizelerini göstermek için kullandığı hayvan hayattan görünür başlangıçta tiz Tanrı İş..
