6 Cello Suites, BWV 1007-1012 (Bach, Johann Sebastian)

Ambox notice.png This page is only for complete editions and multiple selections from the collection here. For arrangements, new editions, etc. see (or create) separate pages for individual works linked in the General Information section below.
Movements/SectionsMov'ts/Sec's 6 suites
Composition Year 1717-23
Genre Categories Suites; For cello; Scores featuring the cello; [30 more...]For 1 player; For violoncello piccolo; Scores featuring the violoncello piccolo; For cello, piano (arr); For 2 players (arr); Scores featuring the cello (arr); Scores featuring the piano (arr); For viola, piano (arr); Scores featuring the viola (arr); For recorder (arr); For 1 player (arr); Scores featuring the recorder (arr); For trombone (arr); Scores featuring the trombone (arr); for bass clarinet (arr); For violin (arr); Scores featuring the violin (arr); For viola (arr); For cello (arr); For 7 cellos (arr); For 7 players (arr); For 5 cellos (arr); For 5 players (arr); For 3 cellos (arr); For 3 players (arr); For ukulele (arr); Scores featuring the ukulele (arr); For lute (arr); Scores featuring the lute (arr); For piano (arr)

Contents

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Performances [show]

Sheet Music

Scores

 Complete Score (color scan)
#215391 - 62.27MB, 40 pp. -  5.5789473684211/10 2 4 6 8 10 (171) - V/V/V - 38878×⇩ - Jun T

PDF scanned by Bach Digital
Jun T (2012/5/5)

⇒ 4 more: Complete Score • Complete Score (black and white) • Complete Score • Complete Score (monochrome)

 Complete Score
#483523 - 15.17MB, 38 pp. -  6.1666666666667/10 2 4 6 8 10 (12) - V/V/V - 1408×⇩ - MKXScorpion

PDF scanned by Bach Digital
MKXScorpion (2017/7/23)

 Complete Score (black and white)
#07437 - 35.75MB, 37 pp. -  5.95/10 2 4 6 8 10 (100) - V/V/V - 68106×⇩ - Generoso

PDF scanned by Unknown
Generoso (2007/6/5)

 Complete Score
#512542 - 23.99MB, 49 pp. -  5.3333333333333/10 2 4 6 8 10 (6) - V/V/V - 510×⇩ - BachFan

PDF scanned by D-B
BachFan (2018/2/13)

 Complete Score (monochrome)
#614683 - 36.94MB, 37 pp. -  9/10 2 4 6 8 10 (2) - V/V/V - 173×⇩ - Carlo Maria Pau...

PDF scanned by Carlo Maria Pau...
Carlo Maria Pau... (2020/3/21)

Copyist Anna Magdalena Bach (1701–1760)
Publisher. Info. Manuscript, n.d.(ca.1727-31).
Copyright
Public Domain
Misc. Notes Staatsbibliothek zu Berlin (D-B): Mus.ms. Bach P 269
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 Complete Score (color scan)
#550694 - 14.42MB, 38 pp. -  7/10 2 4 6 8 10 (14) - V/V/V - 1256×⇩ - Fdodd

PDF scanned by SFU Library
Fdodd (2018/11/27)

Copyist Anna Magdalena Bach (1701–1760)
Publisher. Info. Manuscript, n.d.(ca.1727-31).
Reprinted Leipzig: Edition Peters, n.d.
Copyright
Public Domain
Misc. Notes Facsimile of Mus.ms. Bach P 269. no.383 of 1000 printed copies. Publisher stamps: Hinrichsen covers original Peters Edition label. File-size much reduced from the one posted before.
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 Complete Score
#946739 - 27.72MB, 37 pp. -  0/10 2 4 6 8 10 (0) - !N/!N/!N - 1425×⇩ - Hajime-eda

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Hajime-eda (2024/12/26)

Editor Anna Magdalena Bach (1701–1760)
Hajime Eda (b. 1960)
Publisher. Info. Manuscript, n.d.(ca.1727-31).
Hajime Eda
Copyright
Creative Commons Attribution 4.0
Misc. Notes This is one of the solutions based on Anna Magdalena Bach's manuscript. The source file and the latest version are here. There are similar files regarding BWV 1001-1006.
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 Complete Score
#75794 - 7.86MB, 27 pp. -  5.3191489361702/10 2 4 6 8 10 (47) - V/V/V - 39643×⇩ - Andrewt

PDF scanned by A. Toering
Andrewt (2010/8/21)

Copyist Johann Peter Kellner (1705–1772)
Publisher. Info. Manuscript, n.d.(ca.1726).
Reprinted Kassel: Bärenreiter, No.5215/5216, 2000.
Copyright
Public Domain
Misc. Notes Staatsbibliothek zu Berlin (D-B): Mus.ms. Bach P 804 (pp.249-76)
#75794: 600 dpi. The various blank spots and general illegibility are present in the original; they are not the faults of the scan.
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 Complete Score
#75795 - 7.94MB, 42 pp. -  6/10 2 4 6 8 10 (22) - V/V/V - 17947×⇩ - Andrewt

PDF scanned by A. Toering
Andrewt (2010/8/21)

Copyist Schober and Anonymous (2 copyists)
Publisher. Info. Manuscript, n.d.(ca.1750-99).
Reprinted Kassel: Bärenreiter, No.5215/5216, 2000.
Copyright
Public Domain
Misc. Notes Staatsbibliothek zu Berlin (D-B): Mus.ms. Bach P 289 (pp.71-112)
#75795: 600 dpi. The various blank spots and general illegibility are present in the original; they are not the faults of the scan. This manuscript is also known as the Westphal manuscript. Schober's hand stops in bar 12 of Bourree I of Suite No. 3 and the anonymous hand continues.
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 Complete Score
#75796 - 20.25MB, 42 pp. -  5.8571428571429/10 2 4 6 8 10 (14) - V/V/V - 13764×⇩ - Andrewt

PDF scanned by A. Toering
Andrewt (2010/8/21)

Copyist Anonymous
Publisher. Info. Manuscript, n.d.(ca.1775-1800).
Reprinted Kassel: Bärenreiter, No.5215/5216, 2000.
Copyright
Public Domain
Misc. Notes 300 dpi 8 bit grayscale for increased legibility. The various blank spots and general illegibility are present in the original; they are not the faults of the scan. Also known as Source D and the Traeg MS
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 Complete Score
#75797 - 9.76MB, 53 pp. -  5.6666666666667/10 2 4 6 8 10 (30) - V/V/V - 25706×⇩ - Andrewt

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Andrewt (2010/8/21)

Editor Louis-Pierre Norblin (1781–1854)
First edition
Publisher. Info. Paris: Janet et Cotelle, n.d.[1824]. Plate 1497.
Reprinted Kassel: Bärenreiter, No.5215/5216, 2000.
Copyright
Public Domain
Misc. Notes 600 dpi
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Publisher. Info. Leipzig: H.A. Probst, n.d.[1825]. Plate 165.
Copyright
Public Domain
Misc. Notes This score is part of the Wallenberg Collection, kept at The Music and Theatre Library of Sweden
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Editor Friedrich Dotzauer (1783–1860)
Publisher. Info. Leipzig: Breitkopf und Härtel, n.d.[1826]. Plate 4346.
Copyright
Public Domain
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Editor Friedrich Grützmacher (1832–1903)
Publisher. Info. Leipzig: C.F. Peters, No.238a, n.d.[1867]. Plate 4962.
Copyright
Public Domain
Misc. Notes This is Grützmacher's conservative edition - see under Arrangements and Transcriptions for Grützmacher's heavily edited/arranged "performer's edition".
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Editor Alfred Dörffel (1821–1905)
Publisher. Info. Bach-Gesellschaft Ausgabe, Band 27.1 (pp.59-94)
Leipzig: Breitkopf und Härtel, 1879. Plate B.W. XXVII (1).
Reprinted Mineola: Dover Publications, 1988.
Copyright
Public Domain
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Editor Friedrich Dotzauer (1783–1860)
Publisher. Info. Leipzig: Breitkopf und Härtel, n.d.(ca.1880). Plate V.A. 1236.
Copyright
Public Domain
Misc. Notes Revised reissue (new engraving) of Dotzauer edition
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Editor Robert Hausmann (1852–1909)
Engraver Leipzig: F.W. Garbrecht.
Publisher. Info. Leipzig: Steingräber Verlag, n.d.[1898]. Plate 882.
Copyright
Public Domain
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Editor Alwin Schroeder (1855–1928)
Engraver Leipzig: C.G. Röder.
Publisher. Info. Leipzig: Fr. Kistner & C.F.W. Siegel, n.d. Plate 7182.
Copyright
Public Domain
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Editor Julius Klengel (1859–1933)
Publisher. Info. Leipzig: Breitkopf und Härtel, n.d.(ca.1900). Plate 22879.
Copyright
Public Domain
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Editor Hugo Becker (1863–1941)
Publisher. Info. Leipzig: C.F. Peters, No.238, n.d.(ca.1911). Plate 9148.
Copyright
Public Domain
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 Complete Score
#105620 - 15.78MB, 54 pp. -  7.0833333333333/10 2 4 6 8 10 (24) - V/V/26 - 10590×⇩ - Generoso

PDF scanned by HathiTrust
Generoso (2011/6/16)

Editor Fernand Pollain (1879–1955)
Publisher. Info. Paris: A. Durand & fils, 1918. Plate D. & F. 9546.
Copyright
Public Domain - Non-PD EU
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 Complete Score
#924828 - 6.35MB, 45 pp. -  8/10 2 4 6 8 10 (1) - V/V/C - 63×⇩ - Mark.churchill

PDF scanned by Unknown
Mark.churchill (2024/7/30)

Editor Joseph Malkin (1879–1969)
Publisher. Info. New York: Carl Fischer, 1918. Plate 20626-46.
Copyright
Public Domain
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Editor Cornélis Liégeois (1860–1921)
Publisher. Info. Paris: Lemoine, 1920. Plate 21313 P. 1062 H.
Copyright
Public Domain
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Editor Diran Alexanian (1881–1954)
Language English / French / German
Translator Frederick Fairbanks (18XX–1945), preface, English text
Richard Sturzenegger (1905–1976), preface, German text
Publisher. Info. Paris: Francois Salabert S.A., 1929. Plate SECA 16.
Copyright
Public Domain - Non-PD Canada, Non-PD EU
Misc. Notes 600 dpi. Page size is 10 x 13 inches. Includes the Anna Magdalena Bach 1727-31 Manuscript above in the preface. The physical source included penciled in markings on certain pages from Suite Nos.2 and 3 mainly, which I have removed most of them, but there might have been a couple editorial additions that might have gotten removed on accident, please let Sallen112 know if there is anything that is missing from the music and I can reinclude it with reprocessing certain pages once again.
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 Complete Score (Text I) (EU)
#480704 - 3.64MB, 52 pp. -  5.5714285714286/10 2 4 6 8 10 (14) - C*/79*/V* - 22913×⇩ - Sallen112

PDF scanned by Sallen112
Sallen112 (2017/7/6)

 Complete Score (Text II) (EU)
#480705 - 3.64MB, 52 pp. -  6.7272727272727/10 2 4 6 8 10 (11) - C*/79*/V* - 12579×⇩ - Sallen112

PDF scanned by Sallen112
Sallen112 (2017/7/6)

Editor Hans Eppstein (1911–2008)
Publisher. Info. Neue Bach-Ausgabe, Serie VI, Band 2 (pp.1-52, 53-104)
Kassel: Bärenreiter Verlag, 1988. Plate BA 5068.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
Public Domain - See notes on copyright status for urtext editions
Misc. Notes Text I: Based on copies of Anna Magdalena Bach, Johann Peter Kellner
Text II: Based in anonymous copy (2nd half, 18th cent.)
600 dpi. Page size is 10.00 x 12.688 inches.
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 Complete Score
#121688 - 0.81MB, 60 pp. -  6.936170212766/10 2 4 6 8 10 (47) - !N/!N/!N - 51671×⇩ - Coulonnus

PDF typeset by editor
Coulonnus (2011/9/11)

Editor Werner Icking (1943–2001)
Publisher. Info. Werner Icking Estate, 1997.
Copyright
Creative Commons Attribution Non-commercial Share Alike 3.0
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Editor Shin-Itchiro Yokoyama
Publisher. Info. YOKOYAMA Shin-Itchiro's Sheet Music Library
Copyright
Creative Commons Attribution 3.0
Misc. Notes This edition without slurs was edited based on the manuscripts of Johann Peter Kellner and Anna Magdalena Bach. Normal notation version of 5th suite and transposed version (in G major) of 6th suite are included. See Editor's Notes
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Editor Cellofun.eu
Publisher. Info. Cellofun.eu
Copyright
Public Domain (dedicated)
Misc. Notes Here, the four known manuscript sources have been typeset and laid out in score format principally in order to make for an easy comparison of the bowings (slurs). This is not an academic, scholarly work, in the sense that there are a few typos (note errors) and not all of the minor differences in notes and rhythms between the different manuscripts have been reproduced. We have however tried to reproduce as closely as possible the ambiguities in the placements and shapes of the slurs of the original manuscripts. This was made more difficult in the Sixth Suite because of the many different (and redundant) clefs used for this Suite in the manuscripts. In the Fifth Suite, the pitches are notated at their true pitch (not with scordatura) while the Sixth Suite is transposed down a fifth into G major for reasons that are explained on the cellofun.eu website. For best results, print on A4 size paper.
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Arrangements and Transcriptions

Complete

For Cello or Viola and Piano (Schumann and Stade)
Arranger Robert Schumann (1810–1856)
Editor Friedrich Wilhelm Stade (1817–1902)
Publisher. Info. Leipzig: Gustav Heinze, n.d. [1871].
Reprinted Leipzig: Edition Peters, n.d. Plate 7311.
Copyright
Public Domain
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For Cello and Piano (Grädener)
Arranger Carl Georg Peter Grädener (1812–1883)
Publisher. Info. Hamburg: H. Pohle, n.d.[1871]. Plate H.P. 19. 115.
Copyright
Public Domain
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For Bass Clarinet (Boulanger)

 Complete Score
#598820 - 3.31MB, 64 pp. -  6.6666666666667/10 2 4 6 8 10 (3) - !N/!N/!N - 7006×⇩ - Oclaribou

PDF typeset by arranger
Oclaribou (2019/11/25)

Arranger Frédéric Boulanger (b. 1967)
Publisher. Info. Frédéric Boulanger
Copyright
Creative Commons Attribution-ShareAlike 4.0
Misc. Notes Model with low C required.
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For Violin (David)
Arranger Ferdinand David (1810–1873)
Publisher. Info. Leipzig: Gustav Heinze, n.d.(ca.1866). Plate G. 114 H.
Copyright
Public Domain
Misc. Notes Comments and background
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For Violin (Ebner)

⇒ 5 more: No.2 in D minor, BWV 1008 • No.3 in C major, BWV 1009 • No.4 in E♭ major, BWV 1010 • No.5 in C minor, BWV 1011 • No.6 in D minor, BWV 1012

 No.3 in C major, BWV 1009
#132275 - 1.29MB, 8 pp. -  5.8181818181818/10 2 4 6 8 10 (11) - C/V/C - 4256×⇩ - RTM

PDF scanned by RTM
RTM (2011/10/3)

Arranger Josef Ebner (fl.1903-1921)
Publisher. Info. Leipzig/Zürich: Gebrüder Hug, n.d.(ca.1913). Plate G.H. 5151.
Copyright
Public Domain
Misc. Notes Scanned at 600dpi grayscale, converted to monochrome.
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For Violin (Icking)

 Complete Score
#121690 - 0.83MB, 60 pp. -  7.4193548387097/10 2 4 6 8 10 (31) - !N/!N/!N - 40475×⇩ - Coulonnus

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Coulonnus (2011/9/11)

Arranger Werner Icking (1943–2001)
Publisher. Info. Werner Icking Estate, 1997.
Copyright
Creative Commons Attribution Non-commercial Share Alike 3.0
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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For Viola (Icking)

 Complete Score
#121689 - 0.85MB, 60 pp. -  7.0909090909091/10 2 4 6 8 10 (33) - !N/!N/!N - 99600×⇩ - Coulonnus

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Coulonnus (2011/9/11)

Arranger Werner Icking (1943–2001)
Publisher. Info. Werner Icking Estate, 1997.
Copyright
Creative Commons Attribution Non-commercial Share Alike 3.0
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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For Viola (Spindler)
Arranger F. Spindler, presumably Fritz Spindler II (1902–1984)
Publisher. Info. Moscow: Muzgiz, 1962. Plate 29137.
Copyright
Public Domain
Misc. Notes It seems to be a reissue of Hofmeister Edition. Spindler was a Viola player in Gewandhaus Orchestra Leipzig. -- when was the Hofmeister edition published? Worldcat turns up nothing more recent than 1953- did Spindler leave his arrangement in manuscript?
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For Viola (Yokoyama)
Arranger Shin-Itchiro Yokoyama
Publisher. Info. YOKOYAMA Shin-Itchiro's Sheet Music Library
Copyright
Creative Commons Attribution 3.0
Misc. Notes This edition without slurs was edited based on the manuscripts of Johann Peter Kellner and Anna Magdalena Bach. Normal notation version of 5th suite and transposed version (in G major) of 6th suite are included. Editor's Notes
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For Cello (Grützmacher)
Arranger Friedrich Grützmacher (1832–1903)
Publisher. Info. Leipzig: C.F. Peters, No.238b, n.d.[1866]. Plate 4546.
Copyright
Public Domain
Misc. Notes Grützmacher's "performer's edition." Heavily edited, arranged and reharmonized. Suite No.6 is transposed to G major.
See under Scores tab for Grützmacher's other more conservative edition.
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Selections

For 7 Cellos (Orefice)
Arranger Giovanni Pietro Orefice (b. 1967)
Publisher. Info. Giovanni Pietro Orefice, 2022.
Copyright
Creative Commons Attribution-NonCommercial-NoDerivs 4.0
Misc. Notes Unveiled 7 cellos canon structure of one mvmt per Suite = 7th immanent Suite: 1. Suite #4, BWV1010: Preludium , 2. Suite #1, BWV 1007: Allemande, 3. Suite #5, BWV 1011: Courante, 4. Suite #2, BWV 1008: Sarabande, 5 & 6. Suite 3, BWV 1009: Bourrée I & II, 7. Suite 6, BWV 1012: Gigue
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For 5 Cellos (Orefice)

 Complete Score (See Misc. Notes)
#762507 - 1.80MB, 64 pp. -  0/10 2 4 6 8 10 (0) - !N/!N/!N - 813×⇩ - Jehandulac

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Jehandulac (2022/2/12)

Arranger Giovanni Pietro Orefice (b. 1967)
Publisher. Info. Giovanni Pietro Orefice, 2022.
Copyright
Creative Commons Attribution-NonCommercial-NoDerivs 4.0
Misc. Notes Unveiled 5 cellos canon structure for some pieces: 1. Suite #4, BWV1010: Preludium , 2. Suite #1, BWV 1007: Allemande, 3. Suite #5, BWV 1011: Courante, 4. Suite #2, BWV 1008: Sarabande, 5 & 6. Suite 3, BWV 1009: Bourrée I & II, 7. Suite 6, BWV 1012: Gigue
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For 3 Cellos (Orefice)

 Complete Score
#780304 - 10.13MB, 323 pp. -  0/10 2 4 6 8 10 (0) - !N/!N/!N - 1432×⇩ - Jehandulac

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Jehandulac (2022/5/8)

Arranger Giovanni Pietro Orefice (b. 1967)
Publisher. Info. Giovanni Pietro Orefice, 2022.
Copyright
Creative Commons Attribution-NonCommercial-NoDerivs 4.0
Misc. Notes Double canon structure unveiled for BWV 1007 to BWV 1012, 3 Cellos and 7 Cellos
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For Bass Recorder (Perry)

 9 Selections
#220994 - 0.14MB, 10 pp. -  4.5/10 2 4 6 8 10 (4) - !N/!N/!N - 4374×⇩ - Reccmo

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Reccmo (2012/5/18)

 Engraving files (Sibelius)
#220997 - 0.01MB, ? pp. -  5/10 2 4 6 8 10 (4) - !N/!N/!N - 2193×⇩ - Reccmo

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Reccmo (2012/5/18)

Arranger Philip Perry
Publisher. Info. Philip Perry
Copyright
Creative Commons Attribution Non-commercial Share Alike 3.0
Misc. Notes 7 selections (#220993), 9 selections (#220994)
These file(s) are part of the Werner Icking Music Collection.
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For Ukulele (Preece)

 Complete Score
#388182 - 0.91MB, 42 pp. -  0/10 2 4 6 8 10 (0) - !N/!N/!N - 5068×⇩ - Tepreece

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Tepreece (2015/8/2)

Arranger Thomas Preece
Publisher. Info. Thomas Preece
Copyright
Creative Commons Attribution 4.0
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For Trombone or Euphonium (Balparda de Carvalho)

 9 selections
#746702 - 0.17MB, 9 pp. -  0/10 2 4 6 8 10 (0) - !N/!N/!N - 2009×⇩ - Balparda

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Balparda (2021/11/22)

Arranger Daniel Balparda de Carvalho (b. 1975)
Publisher. Info. Daniel Balparda de Carvalho, 2021.
Copyright
Creative Commons Attribution 4.0
Misc. Notes see below
  1. Suite #1, BWV 1007: Menuet I & II
  2. Suite #2, BWV 1008: Prélude
  3. Suite #3, BWV 1009: Bourrée I & II
  4. Suite #4, BWV 1010: Bourrée I & II
  5. Suite #5, BWV 1011: Allemande & Sarabande
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For Lute (MacKillop)

 Nos.1-3
#846939 - 0.39MB, 48 pp. -  0/10 2 4 6 8 10 (0) - !N/!N/!N - 910×⇩ - Dbmiller

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Dbmiller (2023/3/25)

Arranger Rob MacKillop
Editor Miles Dempster
Publisher. Info. Montreal: Score Conversions, 1998.
Copyright
Creative Commons Attribution-ShareAlike 4.0
Misc. Notes In French tablature.
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For Violin (Bonds)

 Nos.1-4
#878706 - 1.64MB, 31 pp. -  0/10 2 4 6 8 10 (0) - !N/!N/!N - 867×⇩ - Abonds

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Abonds (2023/10/5)

Arranger Alan Ernest Bonds
Publisher. Info. Alan Ernest Bonds
Copyright
Creative Commons Zero 1.0
Misc. Notes Quality edited performing parts & typeset from the urtext
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For Viola (Bonds)

 Nos.1-4
#878705 - 1.64MB, 31 pp. -  10/10 2 4 6 8 10 (1) - !N/!N/!N - 1660×⇩ - Abonds

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Abonds (2023/10/5)

Arranger Alan Ernest Bonds
Publisher. Info. Alan Ernest Bonds
Copyright
Creative Commons Zero 1.0
Misc. Notes Quality edited performing parts & typeset from the urtext
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For Piano (Foote)
Arranger Arthur Foote (1853–1937)
Publisher. Info. Boston: Arthur P. Schmidt, 1885. Plate 645.
Copyright
Public Domain
Misc. Notes Sarabande from Suite No.6 and Courante from Suite No.1
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Other

For 3 Cellos (Orefice)

 Complete Time-Delay Canon Guide
#838408 - 3.01MB, 16 pp. -  0/10 2 4 6 8 10 (0) - !N/!N/!N - 656×⇩ - Jehandulac

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Jehandulac (2023/2/5)

Arranger Giovanni Pietro Orefice (b. 1967)
Publisher. Info. Giovanni Pietro Orefice, 2022.
Copyright
Creative Commons Attribution-ShareAlike 4.0
Misc. Notes Hidden Canons Guide for the 6 Cello Suites, only the time delays are reported here, short document.
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Editor Giovanni Pietro Orefice (b. 1967)
Publisher. Info. Giovanni Pietro Orefice, 2023.
Copyright
Creative Commons Attribution-ShareAlike 4.0
Misc. Notes New solutions found for 1st and 2nd Suite Préludes, without exceptions
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General Information

Work Title 6 Cello Suites
Alternative. Title
Name Translations 无伴奏大提琴组曲; 無伴奏大提琴組曲; Suitoj por violonĉelo sola; Suity na wiolonczelę solo J. S. Bacha; Biolontxelo Solorako Suitak; [23 more...]무반주 첼로 모음곡; Suites pour violoncelle seul; Сюиты для виолончели соло; Suites para violonchelo solo; Cello Suites; Suites per a violoncel sol; Sellosarjat; Csellószvitek; Suites per violoncello solo; Suiten für Violoncello solo; Chwe Chyfres ar gyfer Sielo Digyfeiliant; Cellosuitar av Bach; 無伴奏チェロ組曲; Suity pro sólové violoncello; Šest suita za violončelo solo; Zes suites voor onbegeleide cello; Suítes para Violoncelo; Suiter for cello solo; Թավջութակի սուիտներ (Բախ); Viyolonsel Süitleri, BWV 1007-1012 (Bach); Tổ khúc cello (Bach); سوئیت ویولنسل (باخ); Suite za violončelo solo
Name Aliases 무반주 첼로 모음곡(바흐); Suites per a violoncel sol de Bach; Suite per violoncello solo; Sei suites a violoncello solo senza basso; Sei suites per violoncello solo; [8 more...]Bachsuiten; Cellosuite; Seks Suitar for Cello; Suity pro violoncello; Zes suites voor onbegeleide cello (J.S. Bach); Seis Suítes para Violoncelo Solo; Bachove suite; Suite za violončelo
Authorities WorldCat; Wikipedia; VIAF: 193652248; GND: 300011539; BNF: 139093949
Composer Bach, Johann Sebastian
Opus/Catalogue NumberOp./Cat. No. BWV 1007-1012
Internal Reference NumberInternal Ref. No. None [force assignment]
Movements/SectionsMov'ts/Sec's 6 suites:
  1. Cello Suite No.1 in G major, BWV 1007
  2. Cello Suite No.2 in D minor, BWV 1008
  3. Cello Suite No.3 in C major, BWV 1009
  4. Cello Suite No.4 in E-flat major, BWV 1010
  5. Cello Suite No.5 in C minor, BWV 1011
  6. Cello Suite No.6 in D major, BWV 1012
Year/Date of CompositionY/D of Comp. 1717-23
First Publication. 1824* - Paris: Janet & Cotelle
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation cello*
External Links Wikipedia article
Scores at Sheet Music Plus
Extra Information *Composition and Publication history
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